no code implementations • 11 May 2022 • Simon Colton, Maria Teresa Llano, Rose Hepworth, John Charnley, Catherine V. Gale, Archie Baron, Francois Pachet, Pierre Roy, Pablo Gervas, Nick Collins, Bob Sturm, Tillman Weyde, Daniel Wolff, James Robert Lloyd
During 2015 and early 2016, the cultural application of Computational Creativity research and practice took a big leap forward, with a project where multiple computational systems were used to provide advice and material for a new musical theatre production.
no code implementations • 16 Jun 2020 • François Pachet, Pierre Roy, Benoit Carré
This chapter reflects on about 10 years of research in AI- assisted music composition, in particular during the Flow Machines project.
no code implementations • 12 Mar 2019 • Nicola Montecchio, Pierre Roy, François Pachet
The behavior of users of music streaming services is investigated from the point of view of the temporal dimension of individual songs; specifically, the main object of the analysis is the point in time within a song at which users stop listening and start streaming another song ("skip").
no code implementations • 2 Mar 2017 • Pierre Roy, Alexandre Papadopoulos, François Pachet
However, these techniques are still unable to capture and generate artefacts that are convincingly structured.